References
Anonymous. (2012). Illustrated comprehensive catalog of the origins and deities in the three religions, including two relevant works. Shanghai: Shanghai Classics Publishing House.
Bonoti, F., & Metallidou, P. (2010). Children's Judgments and Feelings about Their Own Drawings. Psychology, 1, 329-336. doi:10.4236/psych.2010.15042.
Diao, Y. (2021). The Aesthetic Shift of Heroic Figures in Mythological Animation since 2015. Movie Literature, (15):49-55.
Han, J. Z. & Xie. W. (2019). Children's Images in Film as a Methodology of Creation. Journal of Beijing Film Academy, (08):83-90.
Heng, Q. (Ed.) (2012). The agama sutra of moderate length (Vol. 2). Beijing: Thread-Binding Books Publishing House.
Hu, P. S., Xu, Y., & Xu, M. (2009). The classic of filial piety•The earth treasury sutra•The classic of wenchang filial piety. Beijing: Zhonghua Book Company.
Li, M. (2007). Strict Father, Loving Mother, and the Rebellious Child—A Brief Analysis of the Triangular Family Dynamics in Zhang Yang's Films. Movie Literature, (02):31-32.
Liu, M. X. (2023). Children's Literature Rewritten through the Eyes of Children in the Republican Era—A Case Study of the 1940 Version of The Adventures of Tom Sawyer. Language and Culture Research, 30(05):164-170.
DOI:10.19954/j.cnki.lcr.2023.05.021.
Liu, W. G. (2009). The Examination of the Evolutionary of Deity Image of Nezha. Religious Studies, (3): 178-183.
Liu, Z. Y. (2006). The Patricide and Filial Piety Complexes in Eastern and Western Literature. Academics in China, (03):142-145.
Lu, Y. (1998). Criticism on Psychoanalysis. Jinan: Shandong Education Press.
Mirzoeff, N. (2016). How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More, New York: Basic Books.
Qu, X. Z. (Ed.) (2011). The classic of filial piety. Hangzhou: Zhejiang Ancient Books Publishing House.
Shi, R. H. (2000). Social Psychology. Hangzhou: Zhejiang Education Press.
Song, X. H. (2003). Sentiments of Oedipus Complex in "The Storm"—the mention of individual unconsciousness and collective unconsciousness in Cao Yu's writing of "The Storm". Journal of Nanning Normal University (Philosophy and Social Sciences Edition), (04):53-56. DOI: 10.16601/j.cnki.issn1002-5227.2003.04.013.
Wang, S. N. (2023). "Chinese Style" and the Retelling of Classic Stories—An Exploration of Original Picture Book Art Narratives. Modern Chinese Literature Studies, (08):28-48. DOI:10.16287/j.cnki.cn11-2589/i.2023.08.001.
Wang, X. M. (2018). On children's rights: A preliminary comparative study in the context of China (2nd edition). Beijing: Social Science Academic Press (China).
Wu, C. E. (1987). Journey to the West. Changsha: Yuelu Publishing House.
Xu, L. (2020). The Stereotype and Evolution of Myth Telling: A Study on the Narrative in Domestic Myth Animation. Journal of School of Chinese Language and Culture Nanjing Normal University, (03):162-168.
Ye, S. X. (Ed.) (1987). Myth-archetypal criticism. Shanxi: Shanxi Normal University Press.
Yin, T. (2014). The Chinese Context and Confucian Background of the Rights Discourse. Law and Social Development, 20(03):89-99.
Zhang, D. (2020). Mirrors, Patricide, and Stitching: A Study of Li Xiaofeng's Film Back to the Wharf. New Films, (06):101-105.
Zhang, Y. (2017). The Obstacles and Ways of Realization of Children's Rights in the Cultural Tradition of Filial Piety. Ningxia Social Sciences, (04):136-140.
Zhang, Y. T. (2020). Symbolic Meaning and Ethical Metaphor of Nezha Legend: Betrayal and Breakthrough of Chinese Traditional Filial Piety. Journal of Shanxi Normal University (Social Science Edition), 47(01):74-79.
DOI:10.16207/j.cnki.1001-5957.2020.01.011.
Zhong, X. (1980). The Investiture of the Gods, edited by Xu, Z. L. Jinan: Qilu Publishing House.
Zhou, S. J. (2012). Children's Rights in the Chinese Context. Issues on Juvenile Crimes and Delinquency, (05):4-8.