Jiaxin Wang
Taipei National University of the Arts, Taipei, Taiwan.
*Corresponding author: Jiaxin Wang
Abstract
The ultimate goal of art communication is to foster public acceptance of art culture. Art galleries play a crucial role in this communication process by catering to and promoting the diverse needs of audiences. With the advancement of digital technology, museums have more possibilities for exhibit display and collection management. The traditional functions of museums have evolved, raising questions about how digital displays can be planned and presented to enhance learning among visitors. What factors should be considered in the interaction design of digital devices within exhibition venues? This shift in presentation style has transformed museums from merely displaying collections to potentially being standalone pieces of art themselves. Compared to static cultural commemorative exhibitions, digital interaction stimulates visitors' senses in various ways. Art museums benefit from enhanced lighting, sound, identification, and tactile experiences, which offer additional avenues for acquiring information. This paper, based on "museology" theories, discusses user participation and design in interactive art museum exhibits, analyzing the significance of interactive installations in art exhibitions and the future direction of art exhibitions.
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How to cite this paper
Research on Interactive Exhibition Design in Art Museums Based on Audience Participation
How to cite this paper: Jiaxin Wang. (2024) Research on Interactive Exhibition Design in Art Museums Based on Audience Participation. Journal of Humanities, Arts and Social Science, 8(4), 976-980.
DOI: http://dx.doi.org/10.26855/jhass.2024.04.028