The Integration of Traditional Chinese Folk Woodcut Motifs and Digital Technology in Contemporary Textile Design

References

A.L. Ahlers. “Weaving the Chinese dream on the ground? Local government approaches to “new-typed” rural urbaniza-tion,” Journal of Chinese Political Science, vol. 20, pp. 121-142, 2015.

B. Mächtle, S. Hecht, N. Manke, B. Kromer, S. Lindauer, C. S. Li, Y. Li, X. Wang, and O. Bubenzer. “The age and origin of Karez systems of Silk Road oases around Turpan, Xinjiang, PR of China,” Socio-environmental dynamics along the Historical Silk Road, pp. 359-378, 2019.

G.M. Eckhardt, and A. Bengtsson. “A brief history of branding in China,” Journal of Macromarketing, vol. 30, no. 3, pp. 210-221, 2010.

G.M. Lawrence. Digital printing and traditional surface design techniques, 2002.

M. Dillon. “Transport and Marketing in the Development of the Jingdezhen Porcelain Industry During the Ming And Qing Dynasties,” In Chinese Economic History Up to 1949 (2 vols) (pp. 540-552). Brill, 2008.

S. Gupta, J.A. Stamatoyannopoulos, T.L. Bailey, and W.S. Noble. “Quantifying similarity between motifs,” Genome biology, vol. 8, no. 2, pp. 1-9, 2007.

S. Lu, P.Y. Mok, and X. Jin. “A new design concept: 3D to 2D textile pattern design for garments,” Computer-Aided Design, vol. 89, pp. 35-49, 2017.

Y. Su, X. Fang, and J. Yin. “Impact of climate change on fluctuations of grain harvests in China from the Western Han Dynasty to the Five Dynasties (206 BC-960 AD),” Science China Earth Sciences, vol. 57, pp. 1701-1712, 2014.

Y.X. Zeng, and L. Gu, “A Study of Traditional Motifs in the Context of Digitalization,” in 2022 3rd International Conference on Language, Art and Cultural Exchange (ICLACE 2022), Atlantis Press, Jul. 2022, pp. 687-690.