Abstract
This paper aims to explore the multifaceted ways in which film art both reflects and reconstructs the real world, along with the significant impact of this bidirectional interaction on social culture. Through an in-depth analysis of various techniques and illustrative case studies where film art represents, transcends, and reconstructs reality, the discussion delves into the aesthetic value and social functions of films. The study reveals that film art not only mirrors the real world authentically but also reconstructs it creatively through fiction and variation, thereby offering audiences profound emotional and aesthetic experiences. These findings provide essential insights into understanding the dual functions of film art, highlighting its role in both reflecting societal realities and presenting new perspectives. This research underscores the importance of recognizing the complex and influential role of film art, ultimately contributing to the enhancement of creative practices within the film industry and enriching cultural and artistic discourse.
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How to cite this paper
Reflection and Reconstruction of Reality in Film Art
How to cite this paper: Xianqi Meng. (2024) Reflection and Reconstruction of Reality in Film Art. Journal of Humanities, Arts and Social Science, 8(7), 1765-1770.
DOI: http://dx.doi.org/10.26855/jhass.2024.07.040