References
Albright, D. (Ed.). (2001). W. B. Yeats: The poems. London: The Everyman Library.
Alexander, J. N. (1984). A new commentary on the poems of W. B. Yeats. New York: Palgrave Macmillan.
Anwer, R., Muhammad, A. L., & Anam, S. (2021). Mysticism in the poetry of W. B. Yeats and Lal Shahbaz Qalander: A comparative study. The Educational Review, USA, 5(7), 213-225.
Babaee, R. (2014). Yeats’ “Leda and the Swan”: A myth of violence. International Letters of Social and Humanistic Sciences, 27(16), 170-176.
Brown, T. (1999). The life of W. B. Yeats: A critical biography. Massachusetts: Blackwell Publisher Inc.
Chang, H. (2019). ‘Cast a cold eye’: Life and death in W. B. Yeats’s poetry. Journal of Language, Literature and Culture, 66(2), 91-102.
Ellmann, R. (1948). Yeats, the man and the masks. New York: Macmillan Ltd.
Ellmann, R. (1954). The identity of Yeats. New York: Oxford University Press.
Foster, R. F. (1997). W. B. Yeats, a life: The apprentice mage 1865-1914. New York: Oxford University Press.
Foster, R. F. (2003). W. B. Yeats, a life: The arch poet 1915-1939. New York: Oxford University Press.
Fu, H. (1999). Yeats’ commentary. Zhejiang: Zhejiang Literature and Art Publishing.
Fu, H. (1999). Yeats’ symbolism. Foreign Literature, 3, 42-50.
Holdman, D. (2006). The Cambridge introduction to W. B. Yeats. Cambridge: Cambridge University Press.
Howes, M., & Kelly, J. (2006). The Cambridge companion to W. B. Yeats. Cambridge: Cambridge University Press.
Kabbalism, Numerology. (2017). The magic of Yeats: “The Lake Isle of Innisfree”. Criterion: A Journal of Literary Criticism, 10(1), 75-85.
Li, J. (2010). Yeats’ poems: The dance of the soul. Nanjing: Oriental Publishing Center.
Li, J. (2015). The immortal phoenix in the rose garden: The image of Maud Gang in Yeats’ poems. Foreign Language Studies, 4, 89-93.
Li, Y. (2013). From “Sailing to Byzantium” to “Byzantium”: Yeats’ Byzantine variations. Studies in Foreign Literature, 35(2), 12-19.
Li, Y. (2020). From national aesthetic reconstruction to modern cultural change: On the aesthetic modernity of Yeats's poetry. Foreign Language and Foreign Language Teaching, 3, 117-126+149-150.
Liu, L. (2011). On the image of empire in Yeats. Journal of Shanghai Ocean University, 20(4), 632-635.
Ni, J. (2015). The poetic language of the Irish poet Yeats under the theory of symbolism. Language Construction, 23, 86-87.
Olsen, L. (1983). The ironic dialectic in Yeats. Colby Quarterly, 19(4), 215-220.
Webster, B. (1973). Yeats: A psychoanalytic study. Stanford: Stanford University Press.
William Butler Yeats biography. (2020). Retrieved from https://www.biography.com/authors-writers/william-butler-yeats
Wu, X. (2005). Selected readings of English and American literature: Expanded edition. Beijing: China International Translation and Publishing Corporation.
Yang, S. (2019). A study on the rhetorical culture of the body in Yeats’ lyrical poetry. Foreign Literature, 1, 62-69+157-158.
Yang, S. (2022). Landscape writing and Irish national identity in Yeats’ lyrical poetry. Foreign Literature, 3, 97-107.
Yeats. (2017). Ecstasy of silence: Yeats’ poems and echoes (F. Hao & L. Yongjun, Trans.). Beijing: CITIC Publishing Group.
Yi, D. (2005). The steps of poetry: From romanticism to modernism—Yeats’ poetry appreciation. Masterpiece Appreciation, 7, 10-12.
Yuan, K. (1985). Symbolist poetry: Part II. Studies in Foreign Literature, 3, 9.
Zhang, Z. (2014). The symbolic characteristics of Yeats’ poetry. Language Construction, 26, 30-31.
Zhao, Y., & Liu, L. (2014). Ambiguous cultural nationalism: A symptomatic analysis of Yeats's early cultural orientation. Journal of Southwest University (Social Science Edition), 40(5), 145-152+184.